CAM brings the art of Robert S. Duncanson and other masterpieces online with the Google Cultural Institute (Cincinnati Art Museum Press Release, February 1, 2016)
CAM to present powerful African-American art and community conversations in 30 Americans (Cincinnati Art Museum Press Release, January 27, 2015)
Cincinnati Art Museum acquires important Hudson River School painting and major figurative glass sculpture (Cincinnati Art Museum Press Release, January 14, 2016)
Cincinnati Art Museum to showcase The Etching Revival from Daubigny to Twachtman Feb 13–May 8, 2016 (Cincinnati Art Museum Press Release, December 30, 2015)
CAM opens more galleries than ever before (Cincinnati Art Museum Press Release, December 17, 2015)
Field Guide: Photographs by Jochen Lempert showcases beauty, mystery of nature (Cincinnati Art Museum Press Release, September 16, 2015)
September 24, 2011 to December 05, 2011
Seventeenth century Dutch painters and printmakers sought to depict chiaroscuro and convey atmospheric depth. Although a variety of relief and intaglio techniques existed, a nonlinear graphic process that could translate painting’s tonal values and surface textures had eluded artists, engravers and publishers. In 1642, an amateur, Ludwig van Siegen of Utrecht, discovered a new technique, mezzotint, where the artist works from dark to light. Drawn from the Art Museum’s permanent collection this show presents landmarks in the history of mezzotint from 1642 through its heyday as a reproductive medium in eighteenth century portraiture in England, and on through the creative use of the medium today.