The Cincinnati Art Museum presents A Taste of Duveneck (Cincinnati Art Museum Press Release, May 14, 2015)
Northern Baroque Splendor showcases rare collection of 17th century Dutch and Flemish art (Cincinnati Art Museum Press Release, May 11, 2015)
Cincinnati Art Museum Curator’s Cincinnati Silver: 1788–1940 receives book award (Cincinnati Art Museum Press Release, April 22, 2015)
Cincinnati Art Museum acquires contemporary glasswork by Beth Lipman (Cincinnati Art Museum Press Release, April 20, 2015)
Human-Altered Landscapes explores environmental changes through photography (Cincinnati Art Museum Press Release, April 2, 2015)
September 24, 2011 to December 05, 2011
Seventeenth century Dutch painters and printmakers sought to depict chiaroscuro and convey atmospheric depth. Although a variety of relief and intaglio techniques existed, a nonlinear graphic process that could translate painting’s tonal values and surface textures had eluded artists, engravers and publishers. In 1642, an amateur, Ludwig van Siegen of Utrecht, discovered a new technique, mezzotint, where the artist works from dark to light. Drawn from the Art Museum’s permanent collection this show presents landmarks in the history of mezzotint from 1642 through its heyday as a reproductive medium in eighteenth century portraiture in England, and on through the creative use of the medium today.