CAM brings the art of Robert S. Duncanson and other masterpieces online with the Google Cultural Institute (Cincinnati Art Museum Press Release, February 1, 2016)
CAM to present powerful African-American art and community conversations in 30 Americans (Cincinnati Art Museum Press Release, January 27, 2015)
Cincinnati Art Museum acquires important Hudson River School painting and major figurative glass sculpture (Cincinnati Art Museum Press Release, January 14, 2016)
Cincinnati Art Museum to showcase The Etching Revival from Daubigny to Twachtman Feb 13–May 8, 2016 (Cincinnati Art Museum Press Release, December 30, 2015)
CAM opens more galleries than ever before (Cincinnati Art Museum Press Release, December 17, 2015)
Field Guide: Photographs by Jochen Lempert showcases beauty, mystery of nature (Cincinnati Art Museum Press Release, September 16, 2015)
May 25, 2013 to September 22, 2013
Cole Carothers (b. 1949) and Courttney Cooper (b. 1977) each address Cincinnati as both subject and content. Though their styles and methods are distinct from one another, a common desire to communicate their experiences of the city links these two artists. Cincinnati and its environs are an ongoing source of visual and conceptual material. Carothers is a classically trained oil painter who has developed a significant body of work in a landscape tradition. He builds on this tradition by creating views of Cincinnati that extend beyond simple observation and transform painted gestures into buildings and buildings back into painted gestures. Cooper creates large-scale aerial view "maps" of Cincinnati using nothing more than copier paper, ballpoint pens, and a deep knowledge of the city built upon a lifetime of traveling on city buses, walking downtown, and taking car trips with friends.