CAM brings the art of Robert S. Duncanson and other masterpieces online with the Google Cultural Institute (Cincinnati Art Museum Press Release, February 1, 2016)
CAM to present powerful African-American art and community conversations in 30 Americans (Cincinnati Art Museum Press Release, January 27, 2015)
Cincinnati Art Museum acquires important Hudson River School painting and major figurative glass sculpture (Cincinnati Art Museum Press Release, January 14, 2016)
Cincinnati Art Museum to showcase The Etching Revival from Daubigny to Twachtman Feb 13–May 8, 2016 (Cincinnati Art Museum Press Release, December 30, 2015)
CAM opens more galleries than ever before (Cincinnati Art Museum Press Release, December 17, 2015)
Field Guide: Photographs by Jochen Lempert showcases beauty, mystery of nature (Cincinnati Art Museum Press Release, September 16, 2015)
February 14, 2014 to May 11, 2014
Genius and Grace: François Boucher and the Generation of 1700 will feature over seventy master drawings from the Horvitz Collection, Boston—widely considered the preeminent collection of early French art in the United States.
The exhibition will feature works by a group of artists known as “The Generation of 1700.” This talented group of artists born in or around the year 1700, such as François Boucher, Charles-Joseph Natoire, Carle Vanloo, and their contemporaries, will be celebrated for their virtuoso compositions whose curvilinear elegance epitomizes the French grand manner. From Boucher’s sumptuous reclining female nude, to a rare, early pastel by Jean-Baptiste-Siméon Chardin, to Director of the French Academy Charles Coypel’s mature self portrait—the works on view celebrate Dezallier d’Argenville’s comment of 1745: “A painter’s way of drawing is as distinctive as handwriting and more so than a writer’s style.”
This exhibition is generously sponsored by:
In Honor of Shirley M. Davies
Robert Lehman Foundation, Inc.
Check out the press this exhibition has received on our Latest News page.
Image: François Boucher (1703–1770), Recumbent Female Nude, circa 1742–43, red chalk, heightened with white chalk, The Horvitz Collection, Boston