facebook-128 copytwitter-128 copy

instagram-128 copyyoutube-128 copy

 

social feed

CincyArtMuseum Cincinnati Art Museum staff wants you to help save our icons. #saveouricons #speakforushttp://t.co/I8uh8br5ds 4 hour ago via Twitter CincyArtMuseum We are saddened by the loss of Lois Rosenthal. We thank her for her passion & dedication to the Art Museum. http://t.co/zEptsaodXn 8 hour ago via Twitter
Cincinnati Art Museum Eleonora at 464 Agnolo Bronzino’s “Portrait of Eleonora of Toledo and Her Son, Don Francesco,” painted in Italy around 1550, is undergoing treatment in the paintings conservation studio. Below is a detail taken during removal of yellowed varnish and overpaint. The tiny losses shown in the cleaned portion are in keeping with the age of the oil-paint-on-wood-panel painting. Many of Eleonora’s delicate features had been overpainted. Note the smudge of overpaint above the cleaned eyebrow near the nose, the dark stroke of opaque overpaint around the bottom of the iris in the left eye, and the solid stroke of overpaint in the crease of the left eyelid. The conservator is finding similar heavy-handed retouching throughout the picture. 1 hour ago via Facebook

about the art

Disparate Alegre (merry Folly)

Artist/Maker:Francisco José de Goya y Lucientes (Spanish, b.1746, d.1828), etcher/printmaker

Date:Circa 1816-Circa 1817

Place:Spain

Classification:Print

Measurements:platemark 9 1/2 x 13 15/16 in. (24.3 x 35.4 cm) on sheet 10 7/8 x 15 1/4 in. (27.6 x 38.8 cm)

Medium:etching, burnished aquatint, and drypoint- 1st state of 3 (before the number 12 in upper right hand corner)

Credit Line:Bequest of Herbert Greer French

Department:Prints, Drawings & Photographs

Accession No:1943.526