How Art Museum landed rare visit of 'American Gothic' (Cincinnati Enquirer, August 23, 2014)
The List: Your Fall 2014 Arts Guide (including CAM's Beyond Pop Art: A Tom Wesselmann Retrospective) (Harper's Bazaar, August 21, 2014)
All Across America, Artists Are Taking Over Billboards (T Magazine, August 18, 2014)
Conserving a Pneumatic Dress at the Cincinnati Art Museum (Cincinnati CityBeat, August 14, 2014)
Cincinnati Silver Exhibit Is a Strong Achievement (Cincinnati CityBeat, August 13, 2014)
Cincinnati Art Museum presents Conversations around American Gothic (Cincinnati Art Museum Press Release, August 11, 2014)
September 24, 2011 to December 05, 2011
Seventeenth century Dutch painters and printmakers sought to depict chiaroscuro and convey atmospheric depth. Although a variety of relief and intaglio techniques existed, a nonlinear graphic process that could translate painting’s tonal values and surface textures had eluded artists, engravers and publishers. In 1642, an amateur, Ludwig van Siegen of Utrecht, discovered a new technique, mezzotint, where the artist works from dark to light. Drawn from the Art Museum’s permanent collection this show presents landmarks in the history of mezzotint from 1642 through its heyday as a reproductive medium in eighteenth century portraiture in England, and on through the creative use of the medium today.