How Art Museum landed rare visit of 'American Gothic' (Cincinnati Enquirer, August 23, 2014)
The List: Your Fall 2014 Arts Guide (including CAM's Beyond Pop Art: A Tom Wesselmann Retrospective) (Harper's Bazaar, August 21, 2014)
All Across America, Artists Are Taking Over Billboards (T Magazine, August 18, 2014)
Conserving a Pneumatic Dress at the Cincinnati Art Museum (Cincinnati CityBeat, August 14, 2014)
Cincinnati Silver Exhibit Is a Strong Achievement (Cincinnati CityBeat, August 13, 2014)
Cincinnati Art Museum presents Conversations around American Gothic (Cincinnati Art Museum Press Release, August 11, 2014)
May 25, 2013 to September 22, 2013
Cole Carothers (b. 1949) and Courttney Cooper (b. 1977) each address Cincinnati as both subject and content. Though their styles and methods are distinct from one another, a common desire to communicate their experiences of the city links these two artists. Cincinnati and its environs are an ongoing source of visual and conceptual material. Carothers is a classically trained oil painter who has developed a significant body of work in a landscape tradition. He builds on this tradition by creating views of Cincinnati that extend beyond simple observation and transform painted gestures into buildings and buildings back into painted gestures. Cooper creates large-scale aerial view "maps" of Cincinnati using nothing more than copier paper, ballpoint pens, and a deep knowledge of the city built upon a lifetime of traveling on city buses, walking downtown, and taking car trips with friends.