Tours

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Cincinnati Art Museum #TuesdayNewsday - Curator Brian Sholis is making his mark on #cincinnati with 6 week rotations of his Billboard Art Project, "Big Pictures". Thank you Cincinnati CityBeat for this mention! Learn more at www.bigpicturescincy.org Keep an EYE out for Sholis' upcoming exhibition, at the Museum, featuring Street Photography in the 21st century! "Eyes on the Street", opens Oct 11 and runs through Jan 4, 2015. #art #photography http://citybeat.com/cincinnati/article-30940-are_billboards_right_for_showing_artwork.html 3 hour ago via Facebook

Bibliography

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Barron, Stephanie. "Degenerate Art": The Fate of the Avant-Garde in Nazi Germany. exh. cat. Los Angeles: Los Angeles County Museum of Art, 1991.

Farmer, Walter I. The Safekeepers: A Memoir of the Arts at the End of World War II. Berlin: Walter de Gruyter, 2000.

Feliciano, Hector. The Lost Museum: The Nazi Conspiracy to Steal the World's Greatest Works of Art. New York: Basic Books, 1997.

Kurtz, Michael J. Nazi Contraband: American Policy on the Return of European Cultural Treasures, 1945-1955. New York: Garland, 1985.

Nicholas, Lynn H. The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War. New York: Alfred A. Knopf, 1994.

Petropoulos, Jonathan. Art as Politics in the Third Reich. Chapel Hill: University of North Carolina Press, 1996.

Petropoulos, Jonathan. The Faustian Bargain: The Art World in Nazi Germany. New York: Oxford University Press, 2000.

Simpson, Elizabeth, ed. The Spoils of War: World War II and Its Aftermath. The Loss, Reappearance, and Recovery of Cultural Property. New York: Harry N. Abrams, 1997.

Trienens, Howard J. Landscape with Smokestacks: The Case of the Allegedly Plundered Degas. Evanstan, IL: Northwestern University Press, 2000.

Yeide, Nancy H., Konstantin Akinsha, and Amy L. Walsh. The AAM Guide to Provenance Research. Washington: American Association of Museums, 2001.