Petra: Lost City of Stone on display September 14, 2004 through January 30, 2005

Frequently Asked Questions

Who were the Nabataeans?
What is Petra?
Why did the Nabataeans choose this area in which to settle?
How did the Nabataeans build their rock-carved tombs?
What other types of art did they create?
What religion(s) did the Nabataeans practice?
What was the political structure of the Nabataeans Community?
What caused the decline of the Nabataean civilization?
Why were the Nabataeans "lost" to the modern Western world for so long? How were they "rediscovered"?
Why does the Cincinnati Art Museum have so much Nabataean artwork?
Does anyone live at Petra today?
Do tourists visit Petra today?

Who were the Nabataeans?
The Nabataeans were an ancient nomadic people whose geographic origin is unknown. Their earliest settlements were in southern Jordan and Israel and were often used for storing accumulated wealth. As nomads, they wandered the countryside with their flocks of sheep and camel. The Nabataeans were skilled in creating underground cisterns to collect water, which enabled them to move about far into the desert.
By the end of the fourth century B.C., a burgeoning caravan trade encouraged the Nabataeans to join the commercial world. It was in southern Jordan, south of the Dead Sea, that the Nabataeans settled and thrived for centuries, exploiting their position at the nexus of several trade routes. They became successful merchants, trading incense, spices and ivory from southern Arabia and India in the east to the Roman Empire in the west.
For several reasons, including its prosperous location for trade and natural protection from foreigners, the Nabataeans settled within the sandstone cliffs of Petra. Their far-flung trading empire created an unusually cosmopolitan society; inscriptions in Nabataean settlements were written in early Arabic, Greek, and Aramaic.
Utilizing their skills with water, the Nabataeans mastered the transport and storage of the valuable desert water with the construction of canals and cisterns. The land around Petra, in contrast to other nearby areas, was fertile and conducive to agricultural pursuits, although their main source of wealth had always been commerce.
While there were several foreign threats to the Nabataean stronghold, it wasn’t until A.D. 106 that the Nabataeans lost their autonomy when the Roman emperor Trajan annexed their kingdom. Under Trajan’s reign, Petra became one of the principal cities of the Roman province of Arabia. Petra began a slow economic decline, starting in the second century A.D. and culminating in the earthquakes of A.D. 363.

What is Petra?
Petra is the ancient capital city of the Nabataeans and is located in present-day southwestern Jordan to the east of the Wadi Araba, the great rift valley that runs from the Red Sea in the south to the Dead Sea in the north. From the Greek, the word Petra literally means “rock.” The word is fitting: the monuments and tombs of the city have been literally cut from the living rock formations.
Petra served the Nabataeans in many ways. Initially it was inhabited as a depot for accumulated wealth and other goods too heavy to be compatible with a nomadic lifestyle. Later, its location along major trade routes allowed the Nabataeans to control the caravan routes from Arabia to Syria and gave them access to the Mediterranean Sea. It also became the religious and administrative center for the Nabataeans; the remains of their most important structures can still be seen today in the form of rock-cut tombs. Indeed, it is the marvelous rock-carving skills of the Nabataeans, which required both strength and finesse, that have left the most enduring impression on the modern world. The elaborate facades that grace the monumental rock faces inspired many nineteenth-century artists, such as David Roberts and Frederic Edwin Church, who captured their beauty and mystery in painting.
The range of artistic styles found at Petra reflect the Nabataeans’ success at trade, which brought foreigners from distant lands through Petra for business. Influences from neighboring cultures such as Rome, Greece, and Egypt mingled with local traditions to produce a unique, cosmopolitan style. The capital city of Petra, as well as many other cities and outposts, constituted a thriving center of commerce until the second century A.D., when an economic downturn began the city’s long, slow decline, punctuated by the devastating earthquake of A.D. 363.

Why did the Nabataeans choose this area in which to settle?
This region of modern day Jordan was located between the source of frankincense, myrrh, and other commodities of Yemen and the Mediterranean cultures to whom these luxury goods were sold. The city of Petra was settled and grew due to its proximity to several springs and oases and its exceptional natural defenses. The Nabataeans, whose time in the deserts of Arabia taught them to be expert hydraulic engineers, were able to harness these underground water sources using a complex system of aqueducts and cisterns to support a city of some tens of thousands. Further, the city was located in a natural basin with high, vertical walls and one long, narrow ravine, known as the Siq (pronounced “seek”), serving as the only entry. This made Petra nearly invulnerable to attack from neighboring powers.

How did the Nabataeans build their rock-carved tombs?
The Nabataeans took full advantage of the layers of rock that surrounded the city. Because these layers are comprised of alternately hard and soft layers, Nabataean masons were able to carve large, open spaces out of the soft layers and use the harder layers as structurally stable ceilings and floors. The rock-carved structures were therefore shaped in large part by the geological formations that surrounded them.

What other types of art did they create?
Many of the works that are still in existence are architectural decorations consisting of sculpted busts, column capitals, and friezes of acanthus leaves, grape vines, and other vegetable and animal motifs. In addition, there survived several statuettes of gods, goddesses, and legendary and mythic figures. These sculptures originally would have been brightly colored and would have complemented frescoes on the interior walls of temples, tombs, and residences. The art of Petra is characterized by a variety of styles, including the indigenous Arabic, Egyptian, Greek, Roman, Syrian, and Persian forms.

What religion(s) did the Nabataeans practice?
Like most ancient cultures, the Nabataeans were polytheistic, worshipping a variety of deities. The variety of their religious practices reflects their cosmopolitan society as does the variety of styles of art used in their worship. Religious beliefs were blended with those of foreign civilizations who came into contact with the Nabataeans. Among the traditional Nabataean gods was Dushara, whose name was connected to the large limestone plateau of Shera to the east of Petra. His position as king of gods allowed Nabataeans to merge him with the Greek god Zeus and later the Roman god Jupiter in a practice common to other polytheistic religions. In addition, the Nabataeans adopted the gods of the people on whose lands they settled, the Edomites. Monuments to Qaws and his consort Atargatis, goddess of the springs and vegetation, can be found at many Nabataean cities and landmarks. Other religious practices and cults were imported from neighboring lands, including the Egyptian cult of Isis, which was as popular in Petra as it was throughout most of the Roman Empire.
In A.D. 313, Christianity became the state religion of the Roman Empire, of which Petra was still a part. Although earlier pagan practices continued longer in the province of Arabia Petraea, an active Christian community converted several disused monuments and buildings into churches. Later, during the Byzantine period, Petra was made the seat of the Byzantine diocese and a church was constructed of which only the foundation and the floor mosaic remain. One of the latest and most spectacular remains is a large floor mosaic from a Byzantine church, constructed in the sixth century A.D.

What was the political structure of the Nabataeans Community?
Few specifics are known about the Nabataean system of government, although it seems that they transitioned from a loose confederation of tribes led by chiefs into a kingdom shortly after forming permanent settlements around the third century B.C. The first known Nabataean king was King Aretas I (around 169–168 B.C.). The names of several other monarchs are recorded on coins and in some inscriptions, and their chronology has been reconstructed. A Western writer of the second century B.C. observed a legal system capable of dealing with international parties and also praised the democratic character of the Nabataean king. In A.D. 106 the Roman emperor Trajan annexed the kingdom of the Nabataeans, apparently without armed struggle and with little change in the daily lives of the inhabitants. The administration and military defense of the new province were centered in Petra and the northern town of Bostra, which is today in southern Syria. A major earthquake in A.D. 363 marked the end of Petra as a major city and of Nabataean dominance of the region. Although it was sparsely inhabited for another two centuries, Petra would never again become a regional political and economic force.

What caused the decline of the Nabataean civilization?
The discovery of alternate trade routes to the north and south of Nabataean cities meant that they no longer had a monopoly on the huge caravans of luxury goods on their way to Europe and northern Africa. The Romans annexed the region in A.D. 106 without a struggle, and by the earthquake of A.D. 363, which destroyed most of the city of Petra, the Nabataeans had virtually ceased to be a political or economic entity. Most of the remainder of Petra was leveled during a series of earthquakes in the sixth century.

Why were the Nabataeans "lost" to the modern Western world for so long? How were they "rediscovered"?
After most of the inhabitants of Petra were driven out by the earthquakes of the fourth and sixth centuries A.D., the city was conquered by Muslims in the seventh century and Crusaders in the twelfth century, all the while being used as a stopover or fortified outpost. Knowledge of its location became lost to all but the local Bedouin tribes. Due in part to its geographical isolation and in part to local political instability, Petra was not rediscovered to the West until 1812. In that year, the Swiss explorer Johann Ludwig Burckhardt, disguised as a local Bedouin, found the ruins of Petra and returned to Cairo with maps and descriptions. Burckhardt would be the first of a stream of Western visitors and tourists at the ancient site.

Why does the Cincinnati Art Museum have so much Nabataean artwork?
Cincinnati has the largest collection of Nabataean artifacts outside of Jordan, the bulk of which are architectural sculptures from the sanctuary of Khirbet et-Tannur, located about 70 miles north of Petra. The site was excavated by a Cincinnati Biblical archaeologist, Nelson Glueck, in 1937, and the finds were divided between Jordan and the United States. In 1939, the Cincinnati community purchased the American share of the artifacts for the Cincinnati Museum of Art.

Does anyone live at Petra today?
The most recent Bedouin tribes who lived at the site of Petra, the Bedoul, were moved by the Jordanian government in 1985 (when Petra was declared a World Heritage site) to modern homes in a newly constructed village in an effort to preserve, excavate, and restore the city.

Do tourists visit Petra today?
Petra has been the subject of increasing interest, tourism, and scrutiny since its "rediscovery" in 1812 by Johann Burckhardt. However, efforts are being made to secure and preserve the site. The current Jordanian government considers Petra to be a national treasure, and in 1985, it was designated as a World Heritage Site. The Petra National Trust was created in 1989 under the support of Queen Noor Al Hussein to form a network of those "who are committed to a collective international effort to safeguard Petra’s unique physical and human heritage."

 

 

The Museum | Collection | Exhibitions | Visit | Programs & Events | Learn | Join | Get Involved | Shop | Staff Contacts
Sitemap | Copyright Info | Copyright © 2006 Cincinnati Art Museum | Created by LÛCRUM and Core Five Creative

 
Plan a Visit
Purchase Tickets Online
About PETRA
Related Programs
Related Exhibitions
Petra links
Members Discover Petra for Free - click here to become a member today!