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The prominence of carved
ivory in Steckelmann’s collection may well reflect the general public’s
fascination with this exotic and precious African material. It experienced
a surge in market demand in Europe and the United States in the nineteenth
century and, for all intents and purposes, became the plastic of the
era. Ivory provided a ready material for mass-produced items, such
as piano keys,
billiard balls, and combs.
The carving of ivory for small table and
cosmetic items—such as spoons,
napkin rings, toothpicks, fans, and finger rings—formed a lucrative
avenue of trade for the European export market. Despite the long
distances traversed in its commerce, ivory was an attractive commodity
due to
its high value and low bulk. An average pair of African elephant
tusks could yield
hundreds of portable items. Such market demand thus brought on a
century of intensive elephant hunting that was unprecedented in the history
of the continent until the most recent decades of the twentieth century.
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