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DTSTAMP:20260502T141316Z
DTSTART:20250417T190000
LOCATION:Cincinnati Art Museum
SEQUENCE:0
SUMMARY:CAM Presents: Jacopo Tintoretto’s Achievement
UID:00000000-0000-0000-0000-000000000000
X-ALT-DESC;FMTTYPE=text/html:<p><strong>Members: Free<br />General public:
  $20<br />Students: $5</strong></p>\n<p><strong>Tickets required. Ticket 
 sales will open one month before the event. </strong></p>\n<p><span>In th
 e second half of the sixteenth century\, Jacopo Tintoretto (1518-1594) wa
 s simultaneously Venice’s most admired and most controversial painter. Ye
 arning to cover every wall in his hometown\, he employed underhanded tact
 ics to gain commissions and thwart competitors. His innovative painting t
 echnique created pictures that appeared unfinished to contemporaries but 
 is regarded today as a key development in oil-on-canvas painting. Taking 
 advantage of the special exhibition </span><a href="/art/exhibitions/upco
 ming-exhibitions/tintorettos-genesis/"><em><span>Tintoretto’s Genesis</sp
 an></em></a><span>\, this lecture offers an insider’s view of Tintoretto’
 s considerable skills as a painter—and as a storyteller.</span> </p>\n<p>
 <strong>About the speaker: <br /></strong><span>Frederick Ilchman is the 
 Baker Curator of Paintings and Chair\, Art of Europe\, at the Museum of F
 ine Arts\, Boston. A specialist in the art of Renaissance Venice\, he hol
 ds a B.A. from Princeton and a Ph.D. from Columbia\, both in art history.
  His exhibitions include </span><em><span>Titian\, Tintoretto\, Veronese:
  Rivals in Renaissance Venice </span></em><span>(2009) in partnership wit
 h the Louvre\; </span><em><span>Goya: Order and Disorder </span></em><spa
 n>(2014)\, </span><em><span>Casanova’s Europe</span></em><span> (2018)\, 
 and the principal Tintoretto retrospective held on the artist’s 500th bir
 thday\, shared by Venice’s Palazzo Ducale (autumn 2018) and Washington’s 
 National Gallery of Art (spring 2019). Frederick is also the Chairman of 
 Save Venice Inc.\, the American non-profit dedicated to conserving the ar
 t and architecture of Venice\, Italy. </span> </p>\n<hr />\n<p><em>If you
  need accessibility accommodations\, please contact us in advance at <a h
 ref="mailto:access@cincyart.org" title="mailto:access@cincyart.org" data-
 linkindex="1">access@cincyart.org</a> or fill out <a href="https://forms.
 office.com/Pages/ResponsePage.aspx?id=Gm-hEwG4gEOJzKydDKuIkMouQ0Sbq_FHq0M
 NY45l4U1UMTYxM0ZJRjFENlBYQzlSWDlWT0NEVDNBNS4u" title="https://forms.offic
 e.com/Pages/ResponsePage.aspx?id=Gm-hEwG4gEOJzKydDKuIkMouQ0Sbq_FHq0MNY45l
 4U1UMTYxM0ZJRjFENlBYQzlSWDlWT0NEVDNBNS4u" data-auth="NotApplicable" data-
 linkindex="2">the accessibility request form.</a>  </em></p>
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