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DTSTAMP:20260417T163816Z
DTSTART:20250703T183000
LOCATION:Cincinnati Art Museum
SEQUENCE:0
SUMMARY:Free Public Tour: Farm to Table: Food and Identity in the Age of I
 mpressionism
UID:00000000-0000-0000-0000-000000000000
X-ALT-DESC;FMTTYPE=text/html:<div class="bod">\n<div class="bod">\n<div cl
 ass="bod">\n<div class="bod">\n<p><a href="https://www.cincinnatiartmuseu
 m.org/art/exhibitions/upcoming-exhibitions/farm-to-table/">Farm to Table:
  Food and Identity in the Age of Impressionism</a></p>\n<p><em>Public tou
 rs are always FREE and meet in the front lobby.&nbsp\;</em></p>\n<p><em>F
 arm to Table: </em>Food and Identity in the Age of Impressionism&nbsp\;ex
 plores the intersections of art\, gastronomy\, and national identity in f
 in-de-siècle France. The exhibition showcases over sixty paintings and s
 culptures\, including the work of Claude Monet\, Eva Gonzalès\, Victor G
 ilbert\, Paul Gauguin\, Jules Dalou\, and Vincent van Gogh\, artists who 
 examined the nation’s unique relationship with food. The bounty of France
 ’s agriculture and the skill of its chefs had long helped to define its s
 trength and position on the international stage. This self-image as the w
 orld’s culinary capital became more important in the late nineteenth cent
 ury as the country grappled with war\, political instability\, imperialis
 m\, and industrialization. In this climate\, France’s culinary traditions
  signaled notions of its refinement\, fortitude\, and ingenuity while the
 y also exposed fractures that destabilized national identity. From cultiv
 ation to consumption\, food was central to notions of glory but also to t
 hose of collective pain.&nbsp\;Farm&nbsp\;to&nbsp\;Table&nbsp\;puts this 
 history on view through the eyes and hands of the period’s greatest artis
 ts\, who avidly brought subjects from agricultural fields&nbsp\;to Parisi
 an dining rooms into&nbsp\;their painting and sculpture\, documenting and
  reinforcing monumental cultural shifts at the heart of European modernit
 y.</p>\n<p>Image: Victoria Dubourg Fantin-Latour\, (French\, 1840–1926)\,
 &nbsp\;<em>Still Life with Brioche</em>\, c. 1890\, oil on canvas\, 13 1/
 8 x 17 in.\, Dixon Gallery and Gardens\; Museum purchase with funds provi
 ded by the estate of Cecil Williams Marshall and\, by transfer\, Mr. and 
 Mrs. Morrie A. Moss\, 2019.6</p>\n<hr>\n<p>Homeschool and school groups a
 s well as groups of 10 or more people are not permitted on public tours. 
 Please <a href="mailto:tours@cincyart.org">reach out to the Tour Coordina
 tor</a> and <a href="https://forms.office.com/r/krDGu0UPft">submit a tour
  request form</a> to ensure the best possible tour for your group.</p>\n<
 p>If you need&nbsp\;accessibility accommodations\, please contact us in a
 dvance at&nbsp\;<a href="mailto:access@cincyart.org">access@cincyart.org<
 /a>&nbsp\;<a rel="noreferrer noopener" href="mailto:access@cincyart.org" 
 title="mailto:access@cincyart.org" data-loopstyle="linkonly" data-linkind
 ex="6" data-ogsc="rgb(225\, 37\, 20)"></a>or fill out&nbsp\;<a id="LPlnk6
 67530" rel="noopener noreferrer" href="https://forms.office.com/Pages/Res
 ponsePage.aspx?id=Gm-hEwG4gEOJzKydDKuIkMouQ0Sbq_FHq0MNY45l4U1UMTYxM0ZJRjF
 ENlBYQzlSWDlWT0NEVDNBNS4u" target="_blank" title="https://forms.office.co
 m/Pages/ResponsePage.aspx?id=Gm-hEwG4gEOJzKydDKuIkMouQ0Sbq_FHq0MNY45l4U1U
 MTYxM0ZJRjFENlBYQzlSWDlWT0NEVDNBNS4u" data-auth="NotApplicable" data-link
 index="7" data-ogsc="">the&nbsp\;accessibility request form.</a></p>\n</d
 iv>\n</div>\n</div>\n</div>
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