Provenance:
Egisto Fabbri [1866-1933], Florence. (Kurt Mettler, Paris, by 1930 [1]). (Richard Goetz, Paris, and Dr. Alfred Gold, Berlin, by at least October 16,1930 [2]); Richard Goetz, Paris and New York, by April 1940 [3]. (Julius Weitzner). (Van Diemen & Lilienfeld, New York, until April 1958, sold to); ( Hirschl & Adler, New York, April 1958-November 1958, sold to);( Leonid Kipnis Gallery, Westport, CT, November 1958-at least July 1959 [4]). (French & Co., New York, until 1960, sold to); Cincinnati Art Museum, 1960-present. Notes: [1] Published as being in the collection of Kurt Mettler in Eduard Fuchs, Der Maler Daumier, Munich: Albert Langden, 1930, p. 62, no. 285a. [2] Goetz and Gold jointly loaned the painting to Corot Daumier, Museum of Modern Art, New York, October 16 to November 23, 1930, p. 86. [3] Goetz loaned the painting to Origins of Modern Art, Arts Club of Chicago, April 2 to 30, 1940. Goetz then directed the Arts Club to send the painting to San Francisco. It was shipped May 11, 1940, and was included in the Golden Gate International Exposition, San Francisco, 1940, no. 256. The painting was apparently included in another exhibition in San Francisco in 1944, but the lender and specific location have not yet been identified. The archives of the Arts Club of Chicago are held at Newberry Library, Chicago. Copies of relevant documents are in the CAM curatorial file. [4] A letter dated June 6, 2000, from Hischl & Adler confirms they sold the painting to Leonid Kipnis Gallery in November 1958.