Entry to the museum is sold out for Sat. Feb. 27, except for those who reserved tickets online in advance. Register for timed tickets
Our paintings conservator has started to clean the varnish from this painting by Edmund Tarbell.
In 2016, special exhibition 30 Americans brought the work of 30 preeminent Black artists to the Cincinnati Art Museum.
Over the summer I had the privilege of working as the Pollution Prevention Intern at the Cincinnati Art Museum.
22 pairs of women’s shoes from the 1950s are being prepared for an appearance in the galleries.
Krull’s groundbreaking modernist work now resides in the Photography Collection at the museum.
Join the Cincinnati Art Museum in celebrating Black History Month by learning more about Black artists in the permanent collection, the contemporary landscape, and the Cincinnati community.
The lab is full of architectural stones as we get ready to reinstall our Nabataean galleries.
This life size painting by 19th century American artist, Thomas Satterwhite Noble, is a recent acquisition.
Learn more about Frank Duveneck, the most influential painter in Cincinnati history.
Last week our paper conservator visited the Contemporary Arts Center downtown to deinstall the museum’s Panorama of the Procession.
When you think of the Cincinnati Art Museum (CAM), what comes to mind?
It was laundry day in textile conservation again! This length of Korean silk is part of a sculpture by Nam June Paik (1936-2006).
The new Google Arts & Culture virtual tour brings the Cincinnati Art Museum to you—wherever you are.
This bowl, from Iraq, is a beautiful example of lusterware. Luster is an iridescent effect produced by metallic oxides in the overglaze.
For the past several years, the Cincinnati Art Museum has been a host site for the Ohio History Service Corps (OHSC), an AmeriCorps program dedicated to preserving local history across the state of Ohio.
Despite a rollercoaster of a year, the Cincinnati Art Museum hosted a wide range of virtual and in-person experiences including our first virtual fundraiser, and opened the highly anticipated Art Climb, the new civic art space on the grounds of the museum.
We’re still unearthing treasures as we unpack and settle back into our renovated Paintings/Object lab.
Soon to move from the paper lab to the gallery is a box decorated with ink and gouache by Elizabeth Boott Duveneck.
This bedspread is getting "ready for her close-up."
The Green Team was founded in early 2019 by an interdepartmental team of museum staff dedicated to creating sustainable practices within the museum.
This stone relief dates to 883-859 BCE and depicts a divine figure wearing a horned headdress.
A heavy layer of grime covered the surface of the thin wood panel and the remains of paint.
Born in Clayton, Alabama in 1898, Ann Lowe was an African American fashion designer, but few know her name.
As we prepare for Halloween this week, here's a scary story from textile conservation!
This week in objects conservation we return to the 1920’s Paul Theodore Frankl mirror. The aluminum leaf on the base and frame is easily abraded and during its use, suffered from normal wear and tear.
Enjoy this Ghost Tour Guide, if you dare...
While the paintings conservation studio is under renovation, we thought you might like a look at an example of the choices that conservators can face.
In September the light sensitive objects that had been on display in the Women Breaking Boundaries exhibit were returned to storage.
In textile conservation this week, we are carrying out condition checks for a checklist of 27 pairs of women's shoes from the 1950s.
With incisive clarity, Thomas asks us to see and challenge systems of inequality that are woven into the fabric of contemporary life.