Enjoy these works in the museum’s collection by artists who identify as LGBTQ+ or address themes of LGBTQ+ representation and experience.
This week, the museum installed a twenty-first century take on the monumental “roll-up” map.
This week, grab a sneak peek at “coming attractions” with this Indian floor spread! She’ll be the “star of the show” in our Anu and Shekhar Gallery of South Asian Art when installed at the end of June.
The treatment on our Jain Shrine is (finally!) nearing completion!
See the painting in Gallery 227 during your next visit.
We recently cleaned Sunlight on Prospect Street, Gloucester, Massachusetts by Edward Hopper (1882–1967).
Does crisp spring weather make you crave a snuggly blanket? The Cincinnati Art Museum has several!
Enjoy these works by Asian American, Native Hawaiian and Pacific Islander artists.
This fifteenth-century Chinese ceramic bowl presents some intriguing features that tell a fascinating story of its past. Shells and barnacles cover the bowl’s surface. These unusual attachments are commonly seen on objects that have spent time in ocean environments, in this example, possibly the result of a shipwreck.
Painted by the French Impressionist Pierre Auguste Renoir (1841–1919), Fog on Guernsey recently paid a visit to our lab for cleaning—and it let us in on a charming secret.
A recent bequest of 20th-century American prints and paintings includes this view of Cincinnati by Laurence Sisson (1928–2015). Painted in watercolor with pen and black ink, the scene captures downtown buildings overlooking the Ohio River as Sisson saw them in 1954.
Treatment is complete for this 1920s silk chiffon and velvet dress which showed loss in several places, including the right shoulder.
After removing all the old adhesive and over paint, we revealed several areas of loss to the painted scene on the glazed surface. This loss was likely caused by the same incident that damaged the foot causing the piece to break into multiple fragments.
This portrait of an anonymous lady by an anonymous British artist was so dirty that only the most basic details were visible before conservation.
Paper conservation often involves undoing repairs by others who don’t have the knowledge or materials needed to best preserve the art. I recently examined a drawing by Cincinnati artist John Ruthven (1924 – 2020) with a long tear that had been mended with pressure sensitive tape, often referred to as “Scotch tape.”
Are you a pal of Indian textiles? Then be sure to see the palampore currently on display in the South Asian Gallery!
While cleaning and conserving our Jain shrine, we discovered several layers of paint from different periods of its history. The carved wooden designs would have been repainted several times during its use as a devotional object.
These three portraits by Sir Joshua Reynolds (British, 1723–1792) have come out of storage and into the conservation lab for the museum’s British catalog project . They are due to be examined, and perhaps treated, before heading to our photography department for high resolution imaging.
From greeters to grounds keepers to gallery attendants, our frontline staff experience the museum’s collections firsthand, every day. Check out these six artworks—curated by staff members in Visitor Services, Building & Grounds, and Museum Security—and discover why each represents a favorite work of art.
Getting beautiful objects on display is a multi-stage process that often includes a stop (or several!) in Conservation. This week we installed some new objects in the Forecourt Gallery of the museum, including this child’s dress.
Join the Cincinnati Art Museum during this time of celebration by exploring works by Black artists in the museum’s collection.
We are working on conserving a new piece of the shrine—which is cleaning up very well—revealing beautiful bright red and yellow pigments underneath the coating.
Before the work was shipped to the museum from out of state, our curator of American art, Julie Aronson, PhD, contacted a professionally trained paintings conservator in that region to examine it. He noted a few areas with cracks and lifting paint that might be jeopardized during transport. With permission from the owner , the conservator applied the three tissue paper patches you see here to make sure that no paint flakes were lost in transit.
Heat and moisture melted the missing sequins on this 1925–1926 party dress at the wearer’s armpit.
Many of the carved items (such as the bow held in the hand of the figure on left side of the archway) had broken and required repairs to be carried out under a microscope.
A few months ago, I posted about the complicated surface coatings on Cézanne’s Still Life with Bread and Eggs.” But what was going on under the surface was even more of a surprise.
You can see the conserved Dancing Horse in the special exhibition Galloping Through Dynasties through January 1, 2023
We are “dyeing” to find the perfect shades of pink silk chiffon to repair this 1920s dress!
This week in objects conservation: Almost 12 months from when we first started the treatment, half of the Jain shrine has been conserved, and a new batch of pieces has moved into the lab to begin treatment.
Our paintings conservator has just begun a big multi-year project, teaming with curators and other scholars, to examine CAM’s collection of 65+ paintings by British artists.