by Obie Linn, Textile Conservator

9/21/2023

textile conservation , Elizabeth Hawes , Flag Dress , before and after , CAMConservation , textiles

There are few things more satisfying than seeing some really dramatic “before and after” photos when a conservation treatment is complete! Conservation of Elizabeth Hawes’ “flag dress” or Geographic (1940) has wrapped up, and now you can flip through a whole album of “before/after” pairs showing the transformations of many of the flags that cover the dress.

by Kelly Rectenwald, Associate Objects Conservator

9/14/2023

behind the scenes , objects conservation , CAMConservation , Jain Shrine

If you’ve been following our Conservation blog posts, you may have seen several updates as we carried out treatment over the past two years.

by Cecile Mear, Conservator of Works on Paper

8/31/2023

Raphael Soyer , prints , paper conservation , CAMConservation

In 2019 and 2020 the museum received three prints by American artist Raphael Soyer (1899–1987), the first of his prints to enter the museum’s collection.

by Obie Linn, Associate Conservator of Textiles

8/24/2023

CAMConservation , textile conservation , historic childrenswear

The forecourt display case in the Conversations Gallery is fresh! A new rotation arrived last week, and it is practically aglow with summery white freshness. How does a 150-year-old child’s dress look this crisp and breezy?

by Serena Urry, Chief Conservator

8/10/2023

CAMConservation , paintings conservation , Theodore Robinson , Impressionism , American Impressionism

We’ve had this painting by American Impressionist Theodore Robinson (1852–1896) listed for varnish removal for a while. That’s because curators and conservators know that Impressionist artists rarely varnished their paintings.

by Kay Horak, Paper Conservation Intern

8/3/2023

CAMConservation , paper conservation , cam intern , Léonard Gaultier

Over a couple of weeks, I examined, cleaned, and rehoused a series of sixteenth-century prints by Léonard Gaultier (circa 1561–circa 1630).

by Obie Linn, Associate Conservator of Textiles

7/27/2023

Ann Lowe , CAMConservation , 1930s fashion , textile conservation , Winterthur Museum

How would you like to travel in a custom “sleeping bag”? These three dresses designed by Ann Lowe (American, 1898–1981) are headed to the Winterthur Museum in Delaware for the exhibition Ann Lowe: American Couturier, snuggled in soft surrounds for a safe and comfortable trip.

by Serena Urry, Chief Conservator

7/5/2023

CAMConservation , paintings conservation , Thomas Barker , CAM British Painting catalog , CAM British Paintings

Another work recently conserved for the British catalog project, The Approaching Storm by English artist Thomas Barker (1769–1847), presented a challenge.

by Cecile Mear, Conservator of Works on Paper

6/30/2023

CAMConservation , Toyohara Kunichika , ukiyo-e prints , kabuki actor prints , paper conservation

In 2005 the museum received a gift of Japanese art that includes ceramics, paintings, and prints. Now that our Curator of Prints Kristin Spangenberg has finished researching the 35 prints in this gift, I am reviewing their needs before moving them to their permanent storage locations.

by Obie Linn, Associate Conservator of Textiles

6/21/2023

CAMConservation , vintage chanel , vintage , textile conservation

What is one of the best things about being a textile conservator? To me, it’s that I sometimes have the chance to “converse” with my fashion design heroes through their work.

by Kristopher Reisser, Conservation Intern

6/8/2023

CAMConservation , paintings conservation , cam intern , mather brown , portrait , European Paintings

When I read the curatorial file for this painting, I discovered a remarkably expansive biography, not just of the painting itself, but also of the sitter and the artist. What is most interesting to me, though, is the sitter’s story.

by Cecile Mear, Conservator of Works on Paper

6/1/2023

CAMConservation , paper conservation , Courttney Cooper , mounting with magnets , Visionaries and Voices

This week, the museum installed a twenty-first century take on the monumental “roll-up” map.

by Obie Linn, Associate Conservator of Textiles

5/25/2023

CAMConservation , textile conservation , embroidery , indian textiles

This week, grab a sneak peek at “coming attractions” with this Indian floor spread! She’ll be the “star of the show” in our Anu and Shekhar Gallery of South Asian Art when installed at the end of June.

by Kelly Rectenwald, Associate Objects Conservator

5/18/2023

behind the scenes , objects conservation , CAMConservation , Jain Shrine

The treatment on our Jain Shrine is (finally!) nearing completion!

by Serena Urry, Chief Conservator

5/11/2023

CAMConservation , paintings conservation , hopper

We recently cleaned Sunlight on Prospect Street, Gloucester, Massachusetts by Edward Hopper (1882–1967).

by Obie Linn, Associate Conservator of Textiles

4/27/2023

CAMConservation , textile conservation , jacquard , american coverlets , delaware ohio

Does crisp spring weather make you crave a snuggly blanket? The Cincinnati Art Museum has several!

by Kelly Rectenwald, Associate Objects Conservator

4/20/2023

CAMConservation , Celadon Glaze , Chinese bowl , Marine life , Saltwater , objects conservation

This fifteenth-century Chinese ceramic bowl presents some intriguing features that tell a fascinating story of its past. Shells and barnacles cover the bowl’s surface. These unusual attachments are commonly seen on objects that have spent time in ocean environments, in this example, possibly the result of a shipwreck.

by Serena Urry, Chief Conservator

4/13/2023

CAMConservation , paintings conservation , Impressionism , Pierre Auguste Renoir

Painted by the French Impressionist Pierre Auguste Renoir (1841–1919), Fog on Guernsey recently paid a visit to our lab for cleaning—and it let us in on a charming secret.

by Cecile Mear, Conservator of Works on Paper

4/6/2023

CAMConservation , Laurence Sisson , paper conservation , Cincinnati Scenes

A recent bequest of 20th-century American prints and paintings includes this view of Cincinnati by Laurence Sisson (1928–2015). Painted in watercolor with pen and black ink, the scene captures downtown buildings overlooking the Ohio River as Sisson saw them in 1954.

by Obie Linn, Textile Conservator

3/30/2023

CAMConservation , textile conservation , pink dress

Treatment is complete for this 1920s silk chiffon and velvet dress which showed loss in several places, including the right shoulder.

by Kelly Rectenwald, Associate Objects Conservator

3/23/2023

behind the scenes , objects conservation , CAMConservation

After removing all the old adhesive and over paint, we revealed several areas of loss to the painted scene on the glazed surface. This loss was likely caused by the same incident that damaged the foot causing the piece to break into multiple fragments.

by Serena Urry, Chief Conservator

3/16/2023

CAMConservation , paintings conservation , British portraiture

This portrait of an anonymous lady by an anonymous British artist was so dirty that only the most basic details were visible before conservation.

by Cecile Mear, Conservator of Works on Paper

3/9/2023

CAMConservation , John Ruthven , paper conservation

Paper conservation often involves undoing repairs by others who don’t have the knowledge or materials needed to best preserve the art. I recently examined a drawing by Cincinnati artist John Ruthven (1924 – 2020) with a long tear that had been mended with pressure sensitive tape, often referred to as “Scotch tape.”

by Obie Linn, Associate Conservator of Textiles

3/2/2023

behind the scenes , objects conservation , CAMConservation , Palampore , South Asian Art , textile conservation

Are you a pal of Indian textiles? Then be sure to see the palampore currently on display in the South Asian Gallery!

by Kelly Rectenwald, Associate Objects Conservator

2/23/2023

behind the scenes , objects conservation , CAMConservation , Jain Shrine

While cleaning and conserving our Jain shrine, we discovered several layers of paint from different periods of its history. The carved wooden designs would have been repainted several times during its use as a devotional object.

by Serena Urry, Chief Conservator

2/16/2023

CAMConservation , paintings conservation , Sir Joshua Reynolds , portrait , British catalog project , European Paintings

These three portraits by Sir Joshua Reynolds (British, 1723–1792) have come out of storage and into the conservation lab for the museum’s British catalog project . They are due to be examined, and perhaps treated, before heading to our photography department for high resolution imaging.

by Cecile Mear, Conservator of Works on Paper

2/9/2023

Illustration of Hell , Comparative Hell: Arts of Asian Underworlds , paper conservation , Hand scroll display

A larger portion of the painting is currently on view in New York until May 7, after which the scroll will travel to the Asian Art Museum in San Francisco and be on exhibit June 16–September 18, 2023.

by Obie Linn, Associate Conservator of Textiles

2/2/2023

conservation , CAMConservation , behind the scenes , objects conservation , Kehinde Wiley , vintage dress

Getting beautiful objects on display is a multi-stage process that often includes a stop (or several!) in Conservation. This week we installed some new objects in the Forecourt Gallery of the museum, including this child’s dress.

by Kelly Rectenwald, Associate Objects Conservator

1/26/2023

behind the scenes , objects conservation , CAMConservation , Jain Shrine

We are working on conserving a new piece of the shrine—which is cleaning up very well—revealing beautiful bright red and yellow pigments underneath the coating.

by Serena Urry, Chief Conservator

1/19/2023

paintings conservation , CAMConservation , Selden

Before the work was shipped to the museum from out of state, our curator of American art, Julie Aronson, PhD, contacted a professionally trained paintings conservator in that region to examine it. He noted a few areas with cracks and lifting paint that might be jeopardized during transport. With permission from the owner , the conservator applied the three tissue paper patches you see here to make sure that no paint flakes were lost in transit.