A sage prostrate before Krishna; folio from a dispersed manuscript, possibly a Bhagavata Purana, circa 1720-1730, India; Himachal Pradesh, Chamba, opaque watercolor and ink on paper, Cincinnati Art Museum, From the Catherine Glynn Benkaim and Ralph Benkaim Collection, made possible by the generosity of Catherine Glynn Benkaim and Barbara Timmer and by Museum Purchase: Alice Bimel Endowment for Asian Art, 2020.8

Prince Bhupal Dev of Jasrota and his wife before a mirror, circa 1720–1725, India; Himachal Pradesh, Jasrota, opaque watercolor and ink on paper, Catherine Glynn Benkaim and Ralph Benkaim Collection

Attributed to Golu, son of Devidasa, Shiva and Parvati on a tiger skin; folio from the “Third” Rasamanjari, circa 1720–1715, India; Himachal Pradesh, Nurpur, opaque watercolor and gold on paper, National Museum of Asian Art, Purchase and partial gift from the Catherine and Ralph Benkaim Collection — funds provided by the Friends of the National Museum of Asian Art, S2018.1.13

A nayika tricked by her lover's friend, Vidushaka Nayaka; folio from the "Third" Rasamanjari, circa 1710–1715, India; Himachal Pradesh, Nurpur, opaque watercolor and gold on paper, National Museum of Asian Art, Purchase and partial gift from the Catherine and Ralph Benkaim Collection — funds provided by the Friends of the National Museum of Asian Art, S2018.1.14

Raja Tedhi Singh of Kullu with attendants, visiting noblemen, dancers, and musicians, circa 1750, India; Himachal Pradesh, Kullu, opaque watercolor with gold on paper, From the Catherine Glynn Benkaim and Ralph Benkaim Collection, made possible by the generosity of Catherine Glynn Benkaim and Barbara Timmer and by Museum Purchase: Alice Bimel Endowment for Asian Art, 2020.7